The Constricting Bodice: Empowerment and Imprisonment?
— Angela Fortain
In her series “Overt Underthings” artist, Angela Fortain, considers a paradox: Distorting the body can both liberate and imprison, she says. Society dictates constraining fashions which, once dawned, create power over others.
Power over others?
By way of men’s desire, women’s envy.
The power to shape space as others turn in our direction.
Lower status bowing to higher. Standing based on beauty – and what to make of that?
The power to gain love? Or sex? And must one undergo body-torture to attain either?
How might power become less available inside the constrained body?
Are the powers bestowed – or removed – substantive or superficial?
Finally, Fortain muses, “Separating the sensual object that once transformed the wearer into an object of sexuality allows us to examine the object, and our own desire.”
The power of objects… our own desire?
Fortain’s work provokes more questions than answers. As art should.
This piece was originally shown at “CONTROL,” an exhibition of California women artists presented by The Women’s Caucus for Art at New York’s Ceres Gallery, February 1 – February 26th, 2011.
For more on Angela Fortain’s work go to ARTslant.
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Posted on February 18, 2011, in body image, feminism, gender, objectification, sex, sexism, women and tagged Angela Fortain, Bodice, body image, Control, culture, feminism, gender, objectification, relationships, sex, sexism, sexuality, The Women’s Caucus for Art, women. Bookmark the permalink. 3 Comments.